Jan 31

A renowned Zen master said that his greatest teaching was this: Buddha is your own mind. So impressed by how profound this idea was, one monk decided to leave the monastery and retreat to the wilderness to meditate on this insight. There he spent 20 years as a hermit probing the great teaching.

One day he met another monk who was traveling through the forest. Quickly the hermit monk learned that the traveler also had studied under the same Zen master. "Please, tell me what you know of the master's greatest teaching." The traveler's eyes lit up, "Ah, the master has been very clear about this. He says that his greatest teaching is this: Buddha is NOT your own mind."

Aikijutsu Academy of Indianapolis | Senso-Ryu | Ted Hanulak Sensei

Jan 30

There was once a stone cutter who was dissatisfied with himself and with his position in life.
One day he passed a wealthy merchant's house. Through the open gateway, he saw many fine possessions and important visitors. "How powerful that merchant must be!" thought the stone cutter. He became very envious and wished that he could be like the merchant.

To his great surprise, he suddenly became the merchant, enjoying more luxuries and power than he had ever imagined, but envied and detested by those less wealthy than himself. Soon a high official passed by, carried in a sedan chair, accompanied by attendants and escorted by soldiers beating gongs. Everyone, no matter how wealthy, had to bow low before the procession. "How powerful that official is!" he thought. "I wish that I could be a high official!"

Then he became the high official, carried everywhere in his embroidered sedan chair, feared and hated by the people all around. It was a hot summer day, so the official felt very uncomfortable in the sticky sedan chair. He looked up at the sun. It shone proudly in the sky, unaffected by his presence. "How powerful the sun is!" he thought. "I wish that I could be the sun!"

Then he became the sun, shining fiercely down on everyone, scorching the fields, cursed by the farmers and laborers. But a huge black cloud moved between him and the earth, so that his light could no longer shine on everything below. "How powerful that storm cloud is!" he thought. "I wish that I could be a cloud!"

Then he became the cloud, flooding the fields and villages, shouted at by everyone. But soon he found that he was being pushed away by some great force, and realized that it was the wind. "How powerful it is!" he thought. "I wish that I could be the wind!"

Then he became the wind, blowing tiles off the roofs of houses, uprooting trees, feared and hated by all below him. But after a while, he ran up against something that would not move, no matter how forcefully he blew against it - a huge, towering rock. "How powerful that rock is!" he thought. "I wish that I could be a rock!"

Then he became the rock, more powerful than anything else on earth. But as he stood there, he heard the sound of a hammer pounding a chisel into the hard surface, and felt himself being changed. "What could be more powerful than I, the rock?" he thought.

He looked down and saw far below him the figure of a stone cutter.


Aikijutsu Academy of Indianapolis | Senso-Ryu | Ted Hanulak Sensei

Jan 30
I know so little Japanese that I can construct only one proper sentence by myself (as, unfortunately, none of the aikido technique names make a full sentence): Watashi wa Hangari-jin desu (I'm Hungarian). However, this (lack of) knowledge doesn't stop me from trying to repeat words and sentences heard in Japanese. I can even think about the language and grammar when a suitably simple sentence comes up in a film.


The example that made me wonder is from the TV series Heroes. I heard the following expression in two episodes (and I watched both twice), so it was enough to remember two consecutive words: "Sayonara desu". In case you are a Heroes fan: Hiro said it both times. First, to the Japanese princess Yaeko, then to his father Kaito Nakamura (Nakamura Kaito according to the Japanese order but in the series they use Kaito Nakamura when talking in English). I had heard sayonara before, that's basic enough. It means good bye (and you two will never see each other again) and it is in many movies, even in non-Japanese movies not translated. But it was never accompanied by desu in those movies and so I didn't have a clue what additional meaning these four letters carried.

I asked a friend who's been to Japan and speaks Japanese reasonably well (she says :)). She'd never heard sayonara desu and she risked that it wasn't even proper Japanese. But it was said by Hiro who is obviously Japanese if you look at him and hear him talk! So this friend sent an email to a friend of hers who's Japanese and can surely resolve the issue.

Before the answer email arrived and was forwarded to me I had a look at IMDB and found that Hiro, Masi Oka, has actually been living in the US since the age of 6 and the Japanese language is only listed as 'speaks fluent Japanese'. But his mother is Japanese, Heroes is an expensive series so they should take care of the language and the guy has an IQ of 180 so I guessed he would know the language properly.

The tension had been growing and growing... :)

Finally, my friend received the official answer from Japan:
You made me laugh! [...] I heard many times on TV as well.
[...] "Sayonara Desu" does not exist for proper Japanese. I think someone wanted to say "Sayonara" as polite, and then added "desu" after that. It has no any special meaning.
Now as the issue is resolved I can live my life with one less mistery :). I'm just wondering why I can't find anything about this expression online but I might let others worry about it.

Jan 29

A Zen Master lived the simplest kind of life in a little hut at the foot of a mountain. One evening, while he was away, a thief sneaked into the hut only to find there was nothing in it to steal.

The Zen Master returned and found him. "You have come a long way to visit me," he told the prowler, "and you should not return empty handed. Please take my clothes as a gift." The thief was bewildered, but he took the clothes and ran away. The Master sat naked, watching the moon. "Poor fellow," he mused, " I wish I could give him this beautiful moon."

Aikijutsu Academy of Indianapolis | Senso-Ryu | Ted Hanulak Sensei

Jan 28

Geisha (芸者, Geisha?) or Geiko (芸妓, Geiko?) are traditional, female Japanese entertainers, whose skills include performing various Japanese arts, such as classical music and dance. Contrary to popular western belief, geisha are not prostitutes.

"Geisha," pronounced /ˈgeɪ ʃә/, is a proper noun. Like all Japanese nouns, there are no distinct singular or plural variants of the term. The word consists of two kanji, 芸 (gei) meaning "art" and 者 (sha) meaning "person" or "doer". The most direct translation of geisha into English would be "artist" or "performing artist".

Another term used in Japan is geiko, a word from the Kyoto dialect. Full-fledged geisha in Kyoto are called geiko. This term is also commonly used in the region to distinguish geisha practiced in traditional arts from prostitutes who have co-opted the name and attire of geisha. Prostitutes wear the bow of their sash, or obi, in front of their kimono, but geisha wear their obi at the back. True geisha, who do not engage in paid sexual activity, usually had the luxury of a professional aide to help them in the difficult process of dressing; their clothing is made up of several layers of kimono and undergarments, and an obi is more than a simple band of cloth. Dressing could take over an hour, even with professional help. Prostitutes, however, had to take off their obi several times a day, so theirs were far less complex, and tied at the front for ease of removal and replacement.

Apprentice geisha are called maiko. This word is made of the kanji 舞 (mai) meaning "dance" and 子 (ko) meaning "child". It is the maiko, with her white make-up and elaborate kimono and hairstyle, that has become the stereotype of a "geisha" to westerners, rather than the true geisha. A woman entering the geisha community does not have to start out as a maiko, having the opportunity to begin her career as a full geisha. In fact, a woman above 21 is considered too old to be a maiko and becomes a full geisha upon her initiation into the geisha community. However, those who do go through the maiko stage enjoy more prestige later in their professional lives.

Tokyo geisha generally do not follow the ritualized Kyoto maiko apprentice process. The training period can be six months to a year - notably shorter than a Kyoto maiko - before she debuts as a full geisha. The trainee is referred to as a han'gyoku (半玉) or "half-jewel", or by the more generic term o-shaku (御酌), lit. "one who pours (alcohol)". On average, Tokyo geisha tend to be older than their Kyoto counterparts, many holding formal degrees from university.


Aikijutsu Academy of Indianapolis | Senso-Ryu | Ted Hanulak Sensei

Jan 28
Finally I slept well last night. I think everything went well during my first kids training and both children and watching parents seemed to enjoy the class. Obviously, there's a lot I can improve and there's a lot more we can practice in future trainings as the kids learn more and more basic movements and techniques. I forgot to say and do a couple of things but I didn't expect that everything should go exactly the way I planned, I needed to practice being flexible and spontaneous in 10% of the time.


Someone said after class that I was too serious and hardly ever smiled. I will definitely work on this because it's a good point and I know I tend to concentrate too hard sometimes. An aikidoka has to be relaxed, that was one of the reasons I started aikido for, I needed to build confidence, had to be more relaxed and, obviously, I needed a good exercise. I hope to improve these skills in children I train, too.


There were six young aikidoka in my class and I want to say thank you to all of them because they worked hard and focused surprisingly well during that one our yesterday. I also want to thank the parents who brought their children and some of them supported us by staying there and watching the class. I really liked one of the fathers who laughed every time the kids did something cute and funny. It was a positive support towards me as well.


We practiced a couple of breathing exercises, the famous rowing exercise, played balancing games, learned hidari and migi hanmi positions, mae ukemi and ikkyo omote. This week we will step forward and extend our knowledge.


The above photos were taken by our "regular photographer" with the verbal approval of parents. If you are a parent of one of the children and want to see all the other pictures as well, please contact me.

ps.: Yesterday I learned that there are actually people who read this blog :). Parents mentioned reading it and newcomers in the adult class also said they had read a couple of posts. Thank you all, I'll keep writing and sharing my aikido thoughts! On Wednesday I'll post an entry about Heroes' Hiro Nakamura ;).

Jan 27

There is a Taoist story of an old farmer who had worked his crops for many years. One day his horse ran away. Upon hearing the news, his neighbors came to visit. "Such bad luck," they said sympathetically. "Maybe," the farmer replied. The next morning the horse returned, bringing with it three other wild horses. "How wonderful," the neighbors exclaimed. "Maybe," replied the old man. The following day, his son tried to ride one of the untamed horses, was thrown, and broke his leg. The neighbors again came to offer their sympathy on his misfortune. "Maybe," answered the farmer.

The day after, military officials came to the village to draft young men into the army. Seeing that the son's leg was broken, they passed him by. The neighbors congratulated the farmer on how well things had turned out. "Maybe," said the farmer.

Aikijutsu Academy of Indianapolis | Senso-Ryu | Ted Hanulak Sensei

Jan 25

Mixed Martial Arts are exploding on the scene. The undisputed king of the genre is the UFC. They deserve to be where they are. They endured while the league struggled with lack of interest, economic viability and lawmakers who wanted to shut them down. Like a true MMA champion they survived it all to thrive. Even though I am a martial arts purist, I confess to enjoying the UFC. I don't watch their reality show because I don't care about the private lives of the fighters, but I like watching these amazing athletes show off their skills. They are professionals and highly trained. Unfortunately, wherever there is success there are cheap imitators. Several inferior leagues have popped up trying to cash in on the UFC's popularity. Some of them are downright sad.

For example, I was watching HD Net Friday Fight Night. It was worse than amateur hour. The fighters are pathetically bad. Some are downright fat. They look like they just put down their beer and pried themselves off the couch to fight. Predictably most of the fights last just a few minutes since they have no skills or conditioning. The winners then have the nerve to parade around like they've vanquished Mohammad Ali in his prime. I saw one guy with a 1-6 record win and act like he was the champion of the world. I witnessed another guy with a 6-5 record act like a punk taunting his downed opponent. The worst part about watching it on high definition is that it's crystal clear how pathetic the whole scene is. It made me wish I had an old blurry black and white TV.

By Kent Ninomiya

Aikijutsu Academy of Indianapolis | Senso-Ryu | Ted Hanulak Sensei

Jan 25

A master calligrapher was writing some characters onto a piece of paper. One of his especially perceptive students was watching him. When the calligrapher was finished, he asked for the student's opinion - who immediately told him that it wasn't any good. The master tried again, but the student criticized the work again. Over and over, the calligrapher carefully redrew the same characters, and each time the student rejected it. Finally, when the student had turned his attention away to something else and wasn't watching, the master seized the opportunity to quickly dash off the characters. "There! How's that?," he asked the student. The student turned to look. "THAT.... is a masterpiece!" he exclaimed.

Aikijutsu Academy of Indianapolis | Senso-Ryu | Ted Hanulak Sensei

Jan 24
By Jeff Albright Sensei and Sean Hannon


A past teacher of mine would frequently say, "Bring it!" What she meant by that was whatever you want to experience, you have to "bring it" to the experience. This can apply to tangible things as well as intangible things. For example, let's say you are going to a party. If you want there to be guacamole at the party then you'd better "bring it." Similarly, if you want to have a fun at the party, then it is your responsibility to "bring it," – the fun, that is – to the party and not expect it to be waiting there for you. It is your responsibility to "bring it." It is not the responsibility of others, the activity or the event.

Aikido training works exactly the same way. Bring a willingness to learn, an attitude of humility and, perhaps most importantly, a sense of humor to Aikido class, and those qualities – and their inherent benefits – are what you will experience at class. I should point out that this attitude isn't unique to the traditional, Japanese martial art of Aikido, but would also apply to other martial arts like karate, taekwondo, judo, and Brazilian Jujitsu or any form of mixed martial arts (MMA fighting or submission fighting. Unfortunately, the "bring it" philosophy works both ways. If you bring anger, frustration and resentment to Aikido class, then that is what you are sure to experience on the mat.

Aikido really is a microcosm of life… your life. If you experience happiness throughout your day, then that is what will come out on the Aikido mat. If you carry your ego around all day, you shouldn't be surprised when you find yourself bumping into egos on the mat – both others and your own!

The value of "bringing it" to the Aikido mat is that it offers us an opportunity to have a physical, non-verbal dialogue with ourselves that can lead to psychological, or for some, even spiritual transcendence. On some level this physical, non-verbal dialogue we have with ourselves on the Aikido mat is more honest than the usual mental dialogue we engage in within our own minds each day. While words can hide truth and significance, physiology cannot. Your body doesn't lie physically. Physical dishonesty will often manifest as an ache or pain or, if held long enough, even a disease. As Aikido students we can learn to "listen" to our physical-selves, our physical movements and make changes in our lives accordingly.

Aikido provides us with a venue of self-exploration and self-transformation. It reveals and unearths things deep within ourselves that we sometimes don't want to explore or don't think we need to work on. Yet, if we don't explore these things students often find themselves frustrated, not progressing in their training or sometimes even quitting. Students are often surprised to discover just how much of their "inner selves" manifest physically, outwardly on the Aikido mat. It is nearly impossible to hide on the Aikido mat what lies inside… especially to an experienced Aikido teacher.

Physical movement (like that experienced in Aikido training) is one of the most primitive and fundamental forms of communication and is, in my opinion, far superior to verbal communication. There is something primordial and deeply honest about physical movement and the powerful messages it contains. Most people have heard the saying that only 20% of communication is verbal. Personally, I think that percentage is way too high. You can tell a lot about a person by their physical movement. Confidence, comfort, ease and happiness have a certain "look" to them on and off the Aikido mat. Self-consciousness, fear, anger and frustration have an equally identifiable "look."

Interestingly, the presence or absence of these physical attributes has nothing to do with how long or how experienced a person is at Aikido. It has to do with what they psychologically "bring" to the Aikido dojo. I have seen first day Aikido students demonstrate tremendous confidence and comfort. Similarly, I have seen experienced Aikido students demonstrate near-paralyzing timidity and unparalleled anger at times. Again, what shows up physically on the Aikido mat is what they "bring" to the mat. Their physical appearance, posture, movement and fluidity are all part of a larger physical language that is Aikido. A student's physical flexibility or inflexibility is often (but not always) congruent with their mental, emotional or psychological flexibility. As such, Aikido instructors will sometimes even challenge their students mentally or emotionally through physical movement on the mat or even verbally off the mat in order to help them progress in their Aikido training. Of course, these efforts are not always welcomed by students, but nonetheless, is still an important aspect of their training.

My instructors in Japan would often deliberately provoke a reaction in me in their efforts to teach me something. In Japan the Sensei/Student relationship is a sacred one. The Sensei's role is one of technical instructor, confidant, coach, counselor, trainer and most importantly, friend. I take my experiences to heart and attempt to provide students with insight and lessons in not only the physical aspects of Aikido techniques, but more importantly about life. I do this not as a superior in Aikido, but as a peer in life.

Those who make Aikido a life-long pursuit often do so not for the martial art and/or self-defense applications, per se, but for the self-transcending benefits of Aikido. Aikido truly is a physical path to self-mastery. Ultimately, Aikido is meant to be experienced firsthand, not just read about. Aikido is always challenging to describe purely in writing because the experience of Aikido transcends the written word. The practice of Aikido really represents an opportunity for transcendence on every level of existence. So let’s get rolling… and bring it!

Come discover how Aikido can serve as a catalyst for tremendous growth and expansion in your life. We invite you to come try a free class at our Aikido school in Castle Rock, Colorado. Call us today at 720-221-3665 or visit us at: http://www.craikido.com/ for a limited time special offer. Experience a power you never knew you had. Experience Aikido!

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